Nasturtium II, 7x7 Watercolor
This is the second nasturtium study I did last week. This week I worked on a larger painting of nasturtiums since my friend brought in more flowers. It seems like there's a loss of "freshness" with each subsequent painting. Why is that? Wouldn't you think that the more you do the better you'd get at it? Perhaps the trick is to keep changing the view or the light the way that Monet painted the haystacks. I would be interested to know if other artists paint the same subject but change something about it.
I hope all my fellow bloggers and blog readers have a very blessed Easter!
Nasturtiums, watercolor, 7x7
A fellow artist brought a little vase of nasturtiums from her garden for a still life painting. I decided to join her in painting them. I set up a larger painting and while I was waiting for the background to dry I did a couple of quick paintings for practice and to get the feel of the flowers. This is the first of the two paintings and I think the better of the two. I did it in three stages, the initial loose laying in of color and form with no drawing first, after that dried I added some darker areas in the flowers. Lastly a few shadows. I didn't want to loose the freshness by getting too detailed. It's always interesting to me that these little warm ups, or less serious paintings turn out to be so pleasing. I need to do more of these small quick paintings, I really enjoy them.
