More Sketchbook pages

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                                                                   Morning Brew

                                                                 Combined Pages



I've done some more experimenting and playing with some stamps, stencils, and crayons. It's good to know what kinds of marks you can make, how effective a stencil will be. I want to know what the watercolor crayons do when they are wet once and then wet again. What does a half a stencil look like, can I use just a portion and still have an interesting design? Is it more interesting? What does it look like upside down? These are some of the questions I ask myself as I work in my sketchbook. I can go back and find what I've used and how it will look before I commit to it on a painting. I'm very enthused about keeping an experimental sketchbook.

I've Got Wet Brushes

                                Sketchbook Journal pages, continued..,

Now that classes and regular painting time are back in the routine I'm painting a lot more than in the summer. The larger pieces that I'm working on are still in process and not available for the blog, yet. In the meantime I'm continuing to explore some of my materials and stamps in my sketchbook journal. On the left page I collaged some butterflies and flowers, some from napkins, some from printed pages and some from stamping on thin rice paper. On the right side I tried to stamp the palm tree from a stamp I made out of a piece of foam tray that the local grocery store packs with veggies. The dots are made from a piece of non-slip drawer liner that I have painted on and then used a brayer to deposit the paint on the paper. The circles are from whatever round things are within reach and the red is collage of stamped tissue paper as are the diamond shapes and clock. It's good for me to know how these items work on the page. Do they wrinkle, smear, or disintegrate? If so, I don't want them in my "toy box".

Click on the image if you want a larger view.

Rembrandt

                                     My Art Journal Sept 24, 25

When I was visiting friends in Minneapolis this summer we went to the Minneapolis Institute of Art for their special show, Rembrandt in America. Paintings, sketches and lithographs done by Rembrandt had been gathered from around the US and displayed there. I happened upon the entry ticket and decided to do a couple of Rembrandt pages in my journal. The ticket is on the lower left page and I found some iconic Rembrandt images on line to add to my painting, stamping and stenciling. It's been great getting to experiment with some of my "toys" without fear of messing something up.

Journal Pages

Since I'm in between painting projects and I want to do more painting everyday, I've decided to start a daily painting journal. I can experiment with different paints and techniques. I can try out some stamps that I have in my collection and some that I have made. I've decided there will be no rules except to paint often and to have more fun. The fish stamps I made from a piece of foam egg carton. I will be making more of those, they are so easy to imprint with a pattern using a ball point pen and can be cut out with a scissors. I hope these pages will be a motivator to do larger paintings.
Last week end I was at the Florida Watercolor Society convention. I went to lots of demonstrations and especially enjoyed the one given by the show juror, Nicholas Simmons. He said we need to think and paint larger. It's the large paintings that grab the attention and we need to think of museum size not local  exhibition size. I may have to clean off some space on my painting table, it does tend to get cluttered. In the meantime, I'm off to do more journal pages.

Wet Brushes?

I haven't posted anything for such a long time. Guess whose brushes have not been wet? It's been a ridiculously busy summer but now fall is about to show up, classes will start, things will get back on schedule. In the meantime, next week I'll be attending the Florida Watercolor Society convention in Orlando. I didn't enter this year so I'm not in it but I love to see those paintings that did get juried in, meet up with fellow artists and browse at the trade show. I hope to get back in the groove with the blogging this month. I have tried to keep up with everyone else who have been posting. The best tip I picked up this month is www.handprint.com it has great information for watercolorists. Thanks!

Lots of Layers

                               Happy Walk, 15X22, Mixed media

This has so many layers of stuff on it I've lost track. It was an old painting that I covered with torn pieces of hand painted tissue. I thought the surface was too blotchy so I put a thin layer of gesso on it. I tried a rather geometric abstract on it in watercolor and wasn't happy with that either. By now I have nothing to loose so I just began to play with colors and stamps and collage. Finally I stopped when it was a painting I liked.  Along the way I had collaged the words happy and walk. This made me think of Psalms 1, so at the end I collaged that below it towards the bottom right. I'm still looking at it to decide if I'm really finished, but I think I am.

3 Postcards

                            Garden Wall

                                  Old City Wall

                                             Old Window

It's been a month since I last posted! I have a good excuse, we've been on a cruise. My DH decided that to celebrate one of those milestone, decade birthdays we needed to do something I've wanted to do for a long time, a European cruise. We started in Southampton, England, stopped at all the Scandinavian ports and went as far north as St Petersburg, Russia. We were gone for two weeks and I think I could have stayed on that ship, Queen Victoria, for two weeks more. It was a trip of a lifetime. Ever since reading about Peter the Great and later, Catherine, I've wanted to see the fabulous palaces of St Petersburg and the Hermitage Museum. They more than lived up to their reputation; unbelievable opulence. 

On the days that we were at sea there was opportunity to paint with an instructor and some other passengers. I had my own watercolor kit along so I painted the same pictures everyone else painted but mine were postcard sized instead of 8X10s. it was a wonderful way to spend afternoons at sea.

I Think It's Finished

                                            Ampersand, 15X22, Acrylic

I've been away for part of the last month and haven't posted anything so I decided to get this abstract out and look at it one more time. I did a little tweaking but I think I'm done. It's hard for me to know for sure that an abstract painting is finished, or if it's gone beyond finished. Have I worked on it too much or too little? This one has been in the works for several months. I work on it a little and then put it away so that when I look at it again I have "fresh eyes". I think I have gotten this one to the point where I don't want to do anymore to it. It's hard to tell from a photo but there is a lot of texture underneath the paint on this painting as well as the visible texture. The ampersand is done with a metallic gold and that is also not discernible in the photo. I tend to overdo the metallic paint so this time I've decided to exercise restraint. I'm in a class this month so I hope to have more paintings to post soon.

It's a Funny Art World

                                   Ebb Tide, Mixed media on paper, 15x22


I posted this painting several weeks ago as an abstract seascape. However, it was originally posted with the blue band on the top instead of the bottom. In the meantime I took it to the frame shop for a frame. When I got it home the framer had put the wire on it to hang this way. Since I had signed it vertically they couldn't have known by the signature which way I intended it to hang. I decided that as an abstract it could hang either way and entered it in our art leagues nautical themed show. I was awarded an honorable mention and I had a great time at the reception explaining to people that it was hanging upside down. The show judge saw rather ethereal masts and sails of ships in the painting. What do you see?

Sunset Finish 11X15 watercolor

Our local Art League has a show in the spring with a nautical theme. One of the sailing clubs in the area chooses a painting from the show for their T shirt for the regatta they have in the fall. This year my painting, Sunset Finish, was chosen. I understand that I will be invited with spouse to the regatta and all the festivities. It sounds like quite an honor, indeed. 

                  Abstract Seascape 15X22 Acrylic, mixed media on paper


Is anyone else confused by this new blogger "interface"? I guess I don't like change; maybe it's my age. 

This painting is similar to the painting called "What Lies Beneath". The difference is that it's painted on paper and the other was on canvas. This one has little bits of egg shells pressed into the molding paste for added texture. I've enhanced some of these with colored paint. The disadvantage of doing a painting on paper is that it has to be matted and framed with a spacer so that the glass doesn't touch the raised areas. It does look very nice with a rounded white frame, though, and I'm already to enter it in a show. 

My photo got grey on the edges and I gather from reading another blog that it's a function of the camera to "average the whites". My camera is just a point and shoot so I don't know if I can turn off that function or not. Has anyone else had a fix for this?

Tangled

                                    Tangled acrylic on canvas, 16x20

This painting was made by using spider webbing stretched over the canvas. The webbing is a material available usually at Halloween and is stretched about to look like spider webs. It takes very little of it to pull and stretch over the canvas and I fastened it down with push pins into the back frame of the canvas. The acrylic is thinned with polymer gloss medium and water so that it can be poured and absorbed by the webbing. Spraying with water also helps to make the paint run. It makes an interesting abstract pattern. After it had dried I used a thinned gesso to veil some areas, I thought I would do more but fellow artists said it was "done". Since I didn't know what else to do with it, I took their advice and signed it.

Photobooks

Folded Photo book 6x6 watercolor and printed papers.

I learned how to make folded photo books last summer. I have been using the pretty double sided scrapbook papers that you can buy in craft stores. Then I got the bright idea to make the fronts and backs of the books with some of the watercolor paintings that I have. Many of them are paintings that were done in a workshop so they are not eligible to be put in a competition or they are not quite the quality for framing but they have some nice areas. I laid the painting outside and gave them a good coating of Krylon matte finish so the watercolors wouldn't be damaged. Then I chose areas in the painting that would make a nice cover and papers that would be compatible with the painting. The books are tied shut with a ribbon. The light was fading when I took the pictures out on my deck but I wanted to get a shot of it before taking it to the gallery tomorrow. The top picture is the closed book, the bottom is the opened book which looks a little like origami. I think they make very nice gifts.

What Lies Beneath

    What Lies Beneath, Acrylic with mixed media 20X20 wrapped canvas

It's been way too long since I posted a blog. I just don't know where the time goes. I started playing around with this technique after a workshop taught by Shirley Mancino. Modeling paste is applied in a swirly manner on a section of canvas or paper. Some of the paste, along with glass bead medium, is dragged down the painting. After it dries you can paint it however you choose and encourage the paint to run down the canvas. After the paint was dry I added tiny seashells with gel medium. It made me think of what was underneath the white caps if you could see a cross-section of a wave; the seashells tumbling and the seaweed hanging. I love the texture of the modeling paste and the glass bead medium and I plan to use it again. As a watercolorist it was also interesting to use acrylic in such an aqueous manner.

Zentangle?

Cup and Saucer Zentangle 4 1/2 X 6 Sharpie on paper

At our annual Art League spring luncheon we were all introduced to Zentangle and given the opportunity to try one ourselves. Of course we didn't get formal instruction, just a piece of paper, some pens, and some examples that were passed around. All of us in attendance make art in some form or another so it was interesting to see all the different things that were drawn in about a 10-15 minute time frame. When I got home I checked out Zentangle on the web and found that it is a bit more sophisticated than our playful doodles. They have actual instructors and formal names for the designs that fill the space. I looked to me like they are mostly done in black pencil. It was fun to do and another interesting art form to learn about. I would love to get comments from anyone who has some information about Zentangle.

Another Great Workshop

                                      Untitled, 16X20 Acrylic on tissue.

I just finished another great workshop. This week end I was with Shirley Mancino and 8 other wonderful artists exploring abstract or semi abstract art. Shirley's art can be found at http://www.shirleymancino.com/. I have this painting, which is finished, and two that are almost finished in just two days. It was more like play than work and we enjoyed Shirley's teaching style and methods a lot.
This painting was started by spreading acrylic paint which was thinned with polymer medium and water carefully on tissue paper which had been crinkled. The tissue was laying on a plastic bag surface so that it could be peeled off when it was dry. Shirley explained that some plastic bags work better than others. The tissue gets very fragile when it is wet so care must be taken.
After the tissue was dry templates of the horses were drawn onto the painted tissue and then painted negatively (the blue around the horses). I think it makes quite a striking painting and I'm enthusiastic about trying this process again.

Artist trade

                         Me, this week end at the Wild Child Gallery.

I painted outside at the gallery this week end. I did some, what I call, little wash pictures. They are small and easy enough to work on in between talking to visitors as they come through the outdoor part of the gallery. We had a lovely week end, lots of sunshine and friendly folks from all over the world.
I don't have a photo of the paintings because at the end of the day yesterday one of the other artists suggested that we trade our works with each other. Since the other two were jewelry makers that was more than OK with me! I ended up with two lovely pairs of earrings in trade for my little 1/8 sheet paintings, which I hadn't photographed. I was so excited about the trade I forgot to take pictures. So, here's a picture of me at the table with my brush in hand. Behind me, on the fence, are copper sculptures by another artist.
Hope you all had as fun a week end as I did.

Abstract with Collage

                                Impending; Acrylic/collage on paper 15x22

This is the latest of several abstracts I've been working on since the last workshop. This one has been fun to see evolve into a finished painting. It started out with the band of tan on the top but as I worked on it and turned it the painting wanted to be this way. The thick stringy collage near the center (why do I always do that?) has been "gilded" by using stamp ink and embossing powder set with a heat gun. I've always loved to put a dab of gold in my paintings. In regards to the title, perhaps I was influenced by the disasters in the center of the US last week, but the dark areas reminded me of storm clouds and the line coming down of a twister tornado. To me there is the look of an approaching storm. To the left is the hint of a rising sun, the hope of a new tomorrow. 

Sailboat techniques

                    Sailboat from Janet King's workshop, watercolor, 15x22

On February 1-3 I took a workshop from Janet King. Our first exercise was to paint using her chosen colors on her drawing of a sailboat. She had an interesting method of starting out; after drawing the subject on her paper, she wets the paper thoroughly and adds diluted yellow and pink randomly to the paper. After allowing this to dry you have subtle colors as an under painting and no stark whites. It seems to give the boat and water a glow without the glare of pure white. Following her instructions for the sailboat went pretty well the first day. The next day I tried to translate this method to children on the beach. I wasn't very successful, but then everything worth doing takes practice, and lots of it!

Abstract Impressionism

This is what I started with:

This is my final painting: Abstract G, water media, 15x22

I took a 3 day workshop with Sue Pink, a very talented artist who does abstract impressionism paintings. She was very generous in showing us her techniques and helping the class progress, layer by layer until we all had individual paintings we could be pleased with. We worked with watercolors and acrylics on paper. Some of the paintings were done on new white paper, some were old watercolor paintings that were covered over with a mix of gesso, water and matte medium. Abstract G was done in approximately 5 layers. You begin with layers of random colors and lines making imprints as you go. After that dries Sue told us to begin by covering the areas that we like the least with a neutral color and continue doing that. I found that to be a very easy way to start, eliminating things until I got to the point that I liked what was left. You add textures and lines using whatever you have on hand. We used stencils and stamps; manufactured or hand made; watercolor sticks and pencils, there really was no limit. We just let our creativity rule the day. It was great fun and the days were gone in a flash.