This time I used a smooth paper, Vellum Bristol paper, to work on. I liked it better than the cold press I used for the last picture. It was easier to get a smooth look and to diminish the look of the pencil strokes. I decided to paint fewer leaves; I felt they cluttered the background and detracted from the simple mango shapes. I also left the background white which for this small format is OK. On a larger composition I would probably have added one.
I'm starting to get the hang of how much pigment to use and how to layer the colors for the effect that I want. I'm finding that after a few layers, the paper seems to be "full" and it's difficult to add anymore pigment unless it is added with a wet brush. That's something that pastelists complain about, paper without enough "tooth". I think trying different papers and materials is consistent with any medium that one chooses to work with. It's what makes the whole process enjoyable.
This is gorgeous! I have watercolor pencils but never was able to achieve the beautiful effect you have here.
ReplyDeleteMe neither until I took the class. Who knew?
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