Dreaming of Paris

Old Paris

Mixed Media 15 X 15

Using old postcard pictures of Paris as an inspiration I started layering pictures and paint, along with old clock faces and script. Finally I finished it with a stylized Eiffel Tower. At least I think I'm finished. We will see, it's not in a frame yet. If you click on it to make it bigger you can see all the texture and details. 

Experimenting with Yupo

                                  Blue Fish 5X6 acrylic, mixed medium on Yupo 

I did some experimenting on Yupo which is a slick plastic product that you can paint on. It comes in different weights, in opaque and translucent. I have painted on it with acrylic inks and with watercolor. This time I decided to try liquid acrylics that were thinned with water. My thought was that this would be more permanent than the watercolor and perhaps more controllable than the acrylic inks. Of course, for control-ability it depends on how much water you use. After the painting was dry I decided it needed some texture so I dug in my "toy box" for some stringy stuff that was already the color of my painting and stuck it on with some matte medium. I think it makes an interesting piece. The red lips add a bit more whimsey.  

A Swan Afternoon

                                          Swan Afternoon Watercolor 15x22

It feels really good to be able to paint regularly again! I started this painting last spring with the drawing from a photo that I took. I did a little painting on it this summer and finally finished it (I think) this week. I was really fortunate that the liquid mask that I put on at the beginning, several months ago, didn't ruin the paper when I took it off. I only masked the sparkles in the water and a little bit on the head and neck, the rest I just painted around. I think it would be fun to do something more interesting with the water but for now I think I'll leave it and go on to another.

A Nightingale Sang

A Nightingale Sang 15x15 Acrylic Collage

Happy New Year to all! I finally got my last finished painting photographed and ready to place on my blog. It's another acrylic collage that sort of evolved. I have one thing planned and then it keeps getting modified and rethought until I like it and decide it's finished (for now). The bird that is collaged into the painting is probably not a nightingale but the painting made me think of the song. In the lyrics there is a reference to the moon so I thought it fit. It was fun putting it all together and getting the colors to where I wanted them.

I went back in my blogging history and discovered that the anniversary of starting my blog had passed without comment. I found that I started on December 11, 2008! Wow, how time flies. I may have to do a painting with "tempest fugit" to commemorate the event.

I don't usually make resolutions anymore; life seems to interfere with resolutions. But, be it resolved: I will paint at least 10 minutes every day! Surely 10 minutes is achievable!

Blue Heron on Green Pond

I'm back in Florida painting Florida pictures. I guess a blue heron can be found just about anywhere in the summer, though. This is a little 3.5" x 5" acrylic on canvas painting that will be a donation to our local art league for fund raising. I enjoy painting these birds very much, as you can tell by the number of them that I have posted.
I've been getting settled, again, and getting the cupboards and refrigerator stocked. Then there's the appointments with doctors and dentists that have to be taken care of. Finally I can settle down and get some painting done. I've enjoyed reading the blogs the past couple of weeks and I've been itching to do a Virtual Paint Out or a Twenty Minute Challenge; I hope I get in the groove to do one or both of those before the month is out.

Collage workshop

Abstract With Banner 15X15 Acrylic on paper with collage.

Last week I participated in a workshop on abstract collage with Minnesota artist, Karen Knutson (http://www.karenknutson.com). There were 10 of us in her home from Monday through Thursday working on our designs and going through the process of layering acrylic to achieve depth and texture. This process was a steep learning curve for me but I was happy with the final results. In her process one starts with a composition and then works sort of backwards to get to what you want. You paint dark where you want light and light where you want dark. It's a brain cramp in the beginning! As the layers progress you finally get to the point where your dark and light areas are matching up with your initial plan. From there you begin using collage and paint to lead the eye towards the center of interest. This painting is my first attempt at doing this.

We spent much of our time the first day learning how to make our own collage papers, by painting on bakery tissues, using powdered carbon on watercolor paper, making our own stamps from mat board, and spraying bleeding tissue. It was very hands on and a lot of fun. These items were used in our work the following days.

Playing with Paste

Ancient Symbols 1 & 2

Getting my cue from Mary Todd Beam in her book The Creative Edge, I tried playing with molding paste. I was given two 5 X 7 canvas boards that were going to be thrown out so somehow that gave me permission to play. Funny how free material does that. On one I used molding paste and the other light molding paste, both sample jars from Golden. (More free material.) I spread the paste on the canvases and used a texture tool, palette knife and jar lids to make designs in the paste. I let them dry overnight and then rubbed a charcoal stick over the rough edges to bring out the design. I thought the charcoal was too heavy so I took some off with a paper towel. Then I started applying thinned liquid acrylic paint allowing the colors to mingle. After drying I added some dark blue, cobalt teal and metallic paint. I think I prefer the molding paste to the light molding paste because it dries with a glossier finish, the light paste is almost grainy and a very matte finish. It was fun to work with and I think I'll try a bigger project on illustration board in the future.

Finish those paintings month

Midnight in the Garden 13.5 X 10.5

Last week I resolved to finish some old paintings that have been languishing in portfolios for who-knows-how-long. They are just beginnings, some with no real subject or direction in mind. Times of play when I just splashed on color and various tools to make texture; saran, filter paper, rice paper, wax paper, salt, alcohol, bubble wrap, etc. When these were dry I didn't continue with them because I didn't "see" a composition in them. So last week, armed with various sizes of mats I moved them this way and that until I found some compositional possibility to pursue. This is my first completed painting from my resolve. It was fraught with many difficulties. I wish I had taken a picture of the underpainting before I started working on it. One of the difficulties was that it had lain so long that mold had hidden itself until the water made it show up in spots. The spots were on leaves, though, so it didn't matter too much. In one area there had been damage to the paper, I suspect from too heave salt residue. When I tried to gently scrub in this area the paper came off in sheets and almost made a hole through the middle of the painting. Since it had become a mixed media painting anyway, I repaired it with white acrylic front and back and collaged on it. It was an interesting challenge and I'm going to start the second one, tonight, I hope. I have four to go.

Rooftops for DSDF

I played around with another piece of Tyvek for my Different Strokes from Different Folks challenge. This time I used almost all acrylic and did I ever go wild with the color. The picture was so monochromatic, and uninteresting in color to me so I went as far the other direction as I could. I tried to concentrate on shapes, and textures. For the finishing touch I used Caran D' Arche Neocolor sticks. I rubbed different shades over some of the areas to enhance the textures made by the acrylic. It was loads of fun just playing and experimenting in a free way. Always the question in my mind was, "What would happen if I..." and then I would just go for it. I hope you catch my sense of play.

Smart Women

I'm up and running in Florida! We had more problems than usual this year upon our return but things are settled into "normal" whatever that is! I finally added the finishing touches to the acrylic and collage painting that I started about a month ago in Minnesota. It's so good to be back in my own little studio/room off the kitchen, surrounded by my usual stuff. We artists do like "our stuff", don't we?

As I look at this painting I think I may have gone overboard with the "stuff", perhaps it is too busy, but I'm happy with it. I've been reading The Creative Edge by Mary Todd Beam and her advice is to paint what pleases you. She says, "You have really reached a milestone when you don't care what anyone else thinks." How true this is in life as well as in art. I hope that I can continue to paint with that freedom.

Happy week end!

Pomme and Wine with Chocolate

I'm continuing my backwards journey through the workshop and I'm now ready to post pictures of the little warm-ups that were started the first day. I was very unsatisfied with that first days work so, on the second day I painted over and put collage on them. They are only 6X6 inches. I still used the same technique of allowing the under painting to come through by using a thin glaze and dabbing it with tissue while it was still wet. Perhaps if I had played with it a bit more I would have glazed again over some of the collage but I think I will leave it alone for now and do that the next time.

I Love Paris

The second day of last week's workshop the assignment was to plan something with words in the painting. I had a paper with the Eiffel Tower on it that I thought I would like to incorporate into my painting so I decided that my word would be Paris. The first step was to choose an abstract design for the "bones" of the painting. Once the design was chosen and painted, making interesting textures and layers in the paint along the way; we could then place our collage pieces into our painting. Finally, the letters were stenciled and the painting embellished with a little gold paint. After a week of looking at the painting I've decided that it doesn't need another thing. What do you think?

Orchids in acrylic

I took an acrylic workshop with an artist friend of mine, Karen Knutson. I don't ususally do paintings in acrylic but I thought it would be fun to learn something new. I'm always up for a challenge. The most frustrating thing for me was mixing the colors to get the color I wanted. Usually I ended up with a big pile of too much paint, but that should improve with practice. It was quite a process of building up successive layers of colors and removing by using water of alcohol to reveal the color underneath. There were also layers of collage to add interest and texture. I'm posting my last painting first because it is the most completed. I hope to have time in the coming week to finish my other attempts.