Saturday, April 25, 2009
In my last post I said that the pigment on wet Yupo would continue to move as it dries. I was going for another Sky, Sea, Sand painting with a sunset and discovered that the Quinacridone Red that I used actually pushed the blue almost off the paper. Then I added a Quinacridone Gold and it really pushed. I was left with this big blob of mostly pink in my sky that didn't look remotely like a sunset. But it did look a little like a Lotus blossom. So, with some editing after it was dry I refined the flower and I think it's quite nice. I added some yellow to the now dry blue in puddles to resemble the flat leaves floating on the water.
Friday, April 24, 2009
I'm back after some break time on the beach in Sarasota, actually, Siesta Key. The sand there is the most amazing sand you've ever seen. They say it is almost all quartz that has been ground down into fine sugar consistancy by the water and wind. It is almost as white as sugar as well.
I was inspired to do some paintings on Yupo of just the sand, sea and sky. My sand needed some color to it, though. I have one of this kind of painting over my kitchen sink and people never fail to comment on how much they like it. Maybe it's the simplicity or the memories of time on the beach. Whatever it is, I enjoy the way I can get a really watery look on the yupo paper. I wet it first and then brush in my pigment and keep manipulating it until it looks like what I want. It must then dry completely before I can move it and the exciting thing is that the pigments will continue to move until it is dry. If you are a control freak do not try this. After it is dry I can come in with a wet brush and edit if I wish but once I change it there is no going back to the original.