Sunday, September 20, 2015
I taught a Mini Collage Class last Saturday in Sun City, FL. My long-time friend, Dixie, was instrumental in getting the class organized. There were 10 enthusiastic ladies in the class and they were a joy to work with. They got right into it and were eager to learn the process. I had the little frames that were a donation and made the paper substrate to fit each one so that the class would be able to get started right away finding their collage papers. For a warm up they all did 3 practice collages on index cards using glue sticks to fasten the papers down. That got their creative juices going so that they could put together their heat fused collages. A couple of gals had to leave early before I got a picture of their collage so there are only 8 out of 10, but they are all wonderful little compositions. The images are all between 2 x 2 to 3 x 3 inches.
Thursday, September 17, 2015
Oriental Expressions 2 Umbrellas
Mixed Media-Collage 4 X 4
This is the second collage I have completed using the Japanese paper. I love the red in these collages. It's so eye catching. This collage also has some of the envelope paper (upper right) and some specialty paper (center). These are heat fused collages that are coated with acrylic gloss medium and finished with a coat of acrylic UV varnish.
Monday, September 14, 2015
Oriental Expressions 1
Collage 3.5 X 4.5
I'm finally back to blogging after a very busy summer. We had 3 trips to Minnesota and one to Oregon and back. My suitcase really got a work out and so did I!
A long time ago a friend who had lived in Japan gave me some scraps of decorative paper that she had used to cover boxes. They are quite beautiful and have been a treasure in my paper collection but it's time that they are used. So I coated some of them with gloss and have begun a series of collages with them. Since most of the pieces of paper are small, the collages will be small. This is my first which I mixed with hand painted tissue (the light red), marbled paper ( black) and security envelope (lower right corner). I'm enjoying the challenge of working with the colors and patterns in these papers.
Sunday, August 09, 2015
Watercolor 28 X 20
I've been working on this for a long time. Full sheet paintings take me a little longer and I wanted to take my time enjoy the process, and watch what happened as I added color to the slight texture of the Masa paper. I had very little wrinkling in it when I applied it to the watercolor paper and I liked working on it a lot. I used several references in order to get the detail in the eyes and the rest of the body. I wanted to emphasize the head and let the body just fade into soft edges.
I haven't come up with a good title for it yet. If you have any suggestions please write them in the comments.
Monday, July 27, 2015
Watercolor on Masa paper, 10 X 14
It's hot, it's rainy, it's summertime in Florida. It's a good time to slow down and take it easy. A time to travel to cooler places and it you can't do that, you stay inside and read, play on the internet and maybe paint a little. I've been doing very little painting but the elephant painting is coming along. I'm taking my time with it and enjoying the process. There is no pressure of a deadline of a show to enter.
I enjoy working on the Masa paper because sometimes the painting just seems to paint itself, especially if you do a landscape. You wet the paper and then crinkle it leaving a little space that's not crinkled; then you smooth it on an absorbent surface like a towel or piece of felt. The next step is to lightly wash over the wrinkled areas with a soft brush and India ink, black, brown or both as I did. It's glued to watercolor paper using a special flour based wallpaper paste and a brayer to get a good adhesion. At this point I let it dry, but you could continue to work on it. I wasn't going for mangroves but that's what appeared when I started to add color.
Monday, June 22, 2015
Watercolor 4 X 6
This summer I've been taking a watercolor class that had me out of my comfort zone for the month of May. We were working on a still life set up which is not one of my favorite things to paint, unless it's something I'm particularly fond of. It was a struggle, I learned some things and my paintings ended up in the trash. I think I still have one unfinished one lurking somewhere.
This month we were supposed to start on something of our own choosing. The instructor probably got tired of the whining about the still life. Since summer time is a good time to tackle a project that has been on the back of my brain for awhile, I decided to do a full sheet elephant painting on a Masa paper covered sheet of 140 pound paper. The Masa paper technique I learned a long time ago in a workshop with Chen-Khee Chee. I love the crinkled paper to work on and thought it would lend itself well to painting an elephant.
The first thing I had to do was find some reference material and do some sketches and small color studies of elephants. This is also a way to procrastinate getting to the larger painting. The painting above is one of my practice paintings that I actually liked. I have started on the full sheet painting. I don't have a scary blank sheet anymore, but I'm taking my time and hope that it will be "blog worthy" in a week or two.
Saturday, May 16, 2015
Still Life on the Lanai
16 X 16 Gallery Wrap Canvas
A still life; a moment in time captured in a painting. Our workshop with Tara Funk Grim was held on a lanai (a screened outdoor room) on the lovely island of Sanibel Florida. We were surrounded by trees, and a courtyard with birds singing and flitting about. We were visited and serenaded everyday by a cardinal. Our last day we had a set up of fruit for our still life which we could "paint" with our colored tissue in any arrangement. It was far from complete when we left class on the last day. I've been working on it, off and on, ever since. Now, I think I'm finished. The yellow table is laden with fruit with a view to the world outside. I think I can still hear the cardinal!